On the band’s new album ‘Nothing but Void’, their music and its ‘Christian’ themes, his other projects, and much more.
Metalcore acts are a dime a dozen in today’s Indian metal scene. As a result, it takes some truly great music and showmanship to stay ahead of the palm-mute chugging pack. And Final Surrender from Bangalore have those in spades.
After six years as a band and two albums (the second distributed through US-based Rottweiler Records), Final Surrender’s ambitions haven’t dimmed a bit — this is especially apparent in their new album ‘Nothing but Void’, which has built on their signature sound and been supported through some successful national shows so far!
Centuries of Sin thus had a chat with co-founder and drummer Jared Sandhy on the new album and the band’s future, as well as his side- and solo projects, and his journey from one Christian-themed band in his past to Final Surrender now!
Hi, Jared! Thank you so much for talking to Centuries of Sin. How’re you doing?
Doing very well, thanks!
Well, we’re finally on the new Final Surrender album, ‘Nothing but Void’! And I have to say that it sounds CRACKING so far. How have your fans responded to the new material in your first leg of touring?
The album is probably one of the best we’ve written till date, and the crowd on tour so far has been enjoying it and have had really good things to say about the record.
What’s the biggest difference you’ve noticed in your music and yourselves between ‘Empty Graves’ and the new album?
‘Empty Graves’ is definitely the album that got a lot of people talking about Final Surrender. It was intentional to that direction of sound we took as a band to experiment with Indian instrumentation and arrangements, though it was very appropriate to what I had in mind from when the songs were being written to when they were recorded. And yes, the album is probably gonna get a remaster done in terms of production, as it never really turned out the way I imagined with regard to the sound. This time around, it will be me completely handling the production aspect as I did for ‘Nothing but Void.’
From what I’ve heard of the album so far, ‘Nothing but Void’ seems to be making a shift from more orchestral elements in the music to more electronic and synths — especially since your one-off single “Smyrna” last year. Do you think that’s a fair assessment?
It’s because we never really follow a set of rules. We wrote things apt for the record and the sound it curbed its way into. ‘Nothing but Void’ is more along the lines of our 2010 debut release ‘The Expanse’ in relation to song-writing and production. A very raw, melodic, groovy, progressive, metalcore Final Surrender, so to speak. “Smyrna” was a single derived out of the songs we had compiled during the writing process of ‘Nothing but Void’ in the beginning of 2015. In fact, we had more than 15 songs from which seven are now part of the current album.
Besides the usual themes associated with metalcore, I’ve noticed that a number of fans see a Christian theme in your music. Do you agree with this? And if so, how much of that theme do think permeates your music?
We write about what we believe in. We definitely are all practicing Christians and our faith is in Jesus Christ, but we don’t necessarily base songs off of scripture or Biblical references. We write about what we experience or what inspires us in the moment, or the specific lyrical theme/concept of the record. In this case, ‘Nothing but Void’ speaks about the void one finds oneself in because of an understanding of life obsessed to one’s own ways, and finally meeting only a scenario of running into a big black hole. Many live lives like this.
You’re a pretty hyperactive worker in projects outside Final Surrender as well — Mute the Saint, Day of Reckoning, and now your own solo material as well! How in God’s name do you manage to devote your time and energies to all this music?
It’s music and only music that drives me, man. Anything to do with music, I love and believe in. So there can’t be excuses and reasons to put it away or not find time for it. It’s a musician’s job to keep up to schedule and do things actively if he or she is passionate and really wants to contribute to the world of music. On the other hand, some exciting stuff is coming up with my other two bands, too. Mute The Saint is releasing its first self-titled debut record on December 1st this year. This is one of a kind, as it’s officially the first Indian instrumental Sitar-based Progressive metal album in the world. This release will be supported by Metal Injection and other big magazines.
Day of Reckoning being one of my favorite projects is also in the production stage for our record ‘Into the Fire’. I finished tracking drums for it in Houston, Texas earlier this year before we went out on tour, and also had the opportunity to share the stage with Alter Bridge last month for their CD release show in Dallas’ House of Blues. Our record is a brutal, face-thumping 40 minutes of metal from start to end. We’re scheduled for some tour dates in USA and India early next year to support the release of the record.
Final Surrender is also finishing up its run of shows this month to have a small break for Christmas with family and stuff. Meanwhile, I have my solo stuff in the pre-production stage, and I am planning yo release it early next year too. So 2017 is gonna have some music coming in from all the projects I’m part of!
Touching on Day of Reckoning a bit, tell us the story of how you connected with Rusty Cooley and how jamming with him was!
So, my drum endorsers DDrum hit me up about Rusty Cooley auditioning for a drummer. And I gave it a shot, and was selected out of the 50 odd drummers around the world who auditioned. I then happened to discuss things with Rusty via Skype, got the paperwork sorted, and finally got to the US to rehearse and write music with the man. a couple of months later performed around the States and in the process recorded for our upcoming record. Working with one of the best guitarists in the world was amazing, also because apart from being an awesome guitar player focused on his music and instrument, he also happens to be really down-to-earth and an amazing friend to me. Rusty also happens to be a tutor to guitar legends like John Petrucci, Mark Tremonti, Karl Sanders, Oli Herbert and other guitar players, so as jaw-dropping as all of this sounds, it’s an awesome feeling to play with some of the best musicians living today. So with a jam schedule of 4-5 hours a day, we happen to be bringing some really interesting music next year for all the music lovers out there.
Your solo track “Love is” is a pretty straightforward, groovy metal track as opposed to the technical and progressive music you’re normally part of. If you take your solo music forward into an album or EP, how different or unique would you it to be from everything you’ve done so far?
The sound and direction in terms of technicality or progressiveness on my solo record is already decided. It’s gonna be different. Each song will have its flavour, and that’s what will make it unique.
It’s gonna be anything between Alternative metal, Progressive metal, and even Ambient music.
Digging a bit deeper into your past, you started drumming with your very first band Slain at only 13 years old if I’m not wrong! Drumming and recording material at such a young age must’ve been quite something!
Yes, Slain was one of the bands that started it off for me. I still remember being in school for my boards and having to finish my exam and run to sound-check at Palace Grounds – the venue that used to host some of the most iconic independent and international festivals in Bangalore – because Slain opened for Iron Maiden that day! I had definitely committed to the music I was doing and compromised and sacrificed a lot of things young kids do at that age for music and drumming. I used to practice 5-6 hours a day, with no drumkit and at times, broken sticks found backstage which I taped together. I remember being awarded for ‘Best Drummer’ at NLS Strawberry Fields when I was 14, competing with some of the best acts in the country today. So yeah, all of this had led to this road and journey. And I always believe there is no stopping yourself in this industry, and that you have to keep pressing on!
Finally, tell us what’s on the cards for Final Surrender in the near future.
A worldwide release via our label in January next year. And hopefully some international dates, too!
Thanks for talking to us, Jared! We wish you and Final Surrender the best of luck for the new album and a future of great music!
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